#ToyinOdutola
Been thinking about this piece lately…. “Soil Erosion,” 2015, #ToyinOjihOdutola, part of the solo exhibition, #OfContextAndWithout, @jackshainman, 2015–16.
#ToyinOdutola
Been thinking about this piece lately…. “Soil Erosion,” 2015, #ToyinOjihOdutola, part of the solo exhibition, #OfContextAndWithout, @jackshainman, 2015–16.
#ToyinOdutola
Been thinking about this piece lately…. “Soil Erosion,” 2015, #ToyinOjihOdutola, part of the solo exhibition, #OfContextAndWithout, @jackshainman, 2015–16.
#ToyinOdutola
Been thinking about this piece lately…. “Soil Erosion,” 2015, #ToyinOjihOdutola, part of the solo exhibition, #OfContextAndWithout, @jackshainman, 2015–16.
#ToyinOdutola
“The Napper,” 2017, by #IrisWechsler (@irismaeveart). @barnardcollege students out giving me a run—gotta get back to the studio! 🏿🏿
#ToyinOdutola
🏿 @newyorkermag // #ToWanderDetermined, @whitneymuseum thru February 25, 2018.
#ToyinOdutola
🏿 Women in Art issue, December 2017 —> @elleusa —> “When Toyin Ojih Odutola told her parents she’d be having a solo show at Manhattan’s Whitney Museum this fall, her mother cried. Her father said, “Whitney Houston has a museum?” Says the artist: “That’s what I love about my dad. You need that reality.” In 2012, she made a name for herself using markers and ballpoint pens to draw figures with skin so alive and fluid, it’s been described as resembling a weaving, or a galaxy. Last year, she began a series informed by a fictional narrative: portraits from the collection of an imaginary duo of aristocratic husbands depicting individuals amid markers of luxury and wealth. Link in bio to learn more about the watch-this-space collaborators @toyinojihodutola and @rjkhckly, and the rest of ELLE's 2017 Women in Art. || Photo by Henry Leutwyler, styled by @emilybarnesstudio.” // #ToyinOjihOdutola
#ToyinOdutola
🏿 Women in Art issue, December 2017 —> @elleusa —> “When Toyin Ojih Odutola told her parents she’d be having a solo show at Manhattan’s Whitney Museum this fall, her mother cried. Her father said, “Whitney Houston has a museum?” Says the artist: “That’s what I love about my dad. You need that reality.” In 2012, she made a name for herself using markers and ballpoint pens to draw figures with skin so alive and fluid, it’s been described as resembling a weaving, or a galaxy. Last year, she began a series informed by a fictional narrative: portraits from the collection of an imaginary duo of aristocratic husbands depicting individuals amid markers of luxury and wealth. Link in bio to learn more about the watch-this-space collaborators @toyinojihodutola and @rjkhckly, and the rest of ELLE's 2017 Women in Art. || Photo by Henry Leutwyler, styled by @emilybarnesstudio.” // #ToyinOjihOdutola
#ToyinOdutola
“A Shady Nook, Le Jardin du Luxembourg, Paris,” 1991, by #LoïsMailouJones. #Research
#ToyinOdutola
Paris Apartment, 2016-17, #ToyinOjihOdutola
#ToyinOdutola
“San Antonio Passage,” 1988, by #MargoHumphrey. Lithograph. #Research